"There’s an inherent symmetry between the protagonist and antagonist, or at least there should be. A writer should love their antagonist as much as their protagonist so that both sides are well represented. I don’t believe in good and evil, but in misguided intention. As a writer, I take the main idea, the “good intentions” of the protagonist and develop a fully realized argument for the “bad intentions” of the antagonist. Only when both sides of the story are fully realized does the reader have the ability to make a conscious decision as to their loyalties to the characters." Continue reading
16th and Hieratica -- A fortune-teller’s shop: palm-fronds cross before the door. Inside are four red chairs with four lustral basins before them, filled with ink, swirling and black. A woman lumbers in, wrapped in ragged fox-fur. Her head amid heaps of scarves is that of a frog, mottled green and bulbous-eyed, and a licking pink tongue keeps its place in her wide mouth. She does not see individual clients. Continue reading
On July 7, 2007 at ReaderCon 18, we had the pleasure of hearing Leah Bobet, John Bowker, and Barbara Krasnoff read from their stories which were in Sybil’s Garage No. 4. Jim Freund, who hosts the radio program “…
"It’s the first rule of magazine publishing: Have an identity. There are way, way too many magazines of all kinds out there on the bookstore shelves for a publisher to be able to get away for long with producing a magazine that isn’t uniquely appealing. So we sat down and looked at the Wildside magazines after I arrived, and we decided that their looks weren’t quite evoking their distinct editorial missions — and we needed to address that."
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I'm writing this down because I'm starting to forget. I may need to remember someday. The chemical air is already kissing my mind, biting my memory away. Something terrible happened at work today. Beyond imagining.... Continue reading