Why, in the pages of Sybil’s Garage No. 7, of course.

In this seventh issue of the highly acclaimed series, you will find twenty-seven original works of fiction and poetry from today’s top talent, with suggested musical accompaniment, our trademark design aesthetic, and much more. But be sure to leave a trail of breadcrumbs on your way into Sybil’s Garage, or you may not find your way out.

6″x9″, 206pp
ISBN: 978-0-9796246-1-2

$9.99 (ePub Version) — Click here

You may also purchase Sybil’s Garage No. 7 on Amazon.com, or Barnes & Noble.com

In the UK and Europe: Amazon.co.uk.

Table of Contents

Fiction

“By Some Illusion” — Kathryn E. Baker
“Suicide Club” — Amy Sisson
“The Noise” — Richard Larson
“A History of Worms” — Amelia Shackelford
“Thinking Woman’s Crop of Fools” — Tom Crosshill
“The Unbeing of Once-Leela” — Swapna Kishore
“How the Future Got Better” — Eric Schaller
“The Telescope” — Megan Kurashige
“Under the Leaves” — A.C. Wise
“The Ferryman’s Toll” — Sam Ferree
“The Tale of the Six Monkeys’ Tails” — Hal Duncan
“The Poincaré Sutra” — Anil Menon
“Kid Despair in Love” — M.K. Hobson
“My Father’s Eyes” — E.C. Myers
“An Orange Tree Framed Your Body” — Alex Dally MacFarlane
“The Watcher Thorn” — Cheryl Barkauskas
“Other Things” — Terence Kuch
“The Dead Boy’s Last Poem” — Kelly Barnhill

Poetry

“Seven League”s — Lyn C. A. Gardner
“One October Night in Baltimore” — Jaqueline West
“Indian Delight” — Alexandra Seidel
“Candle for the Tetragrammaton” — Sonya Taaffe
“Emigrant” — Linsdey Duncan
“Schehirrazade” — Amal El-Mohtar
“The Hyacinth Girl” — Adrienne J. Odasso
“Pathways Marked in Silver” — Marcie Lynn Tentchoff
“Rain ” — Juliet Gillies

Non-Fiction

“Glourious Homage: Quentin Tarantino’s Love Letter to Cinema” — Avi Kotzer — ««click to read now

Press and Reviews

For Issue No. 6

“Sybil’s Garage [is] one of the best run and downright prettiest of the small press magazines…”
-  Escape Pod, Stephen Eley, Editor, (listen to podcast)

“It’s a stylishly put together magazine, There’s plenty of poetry, art, and nonfiction in addition to the stories…My favorites included Simon Petrie’s “Downdraft”, set on another planet with intelligent zeppelins and flying human-like people. This story is about a young flyer’s ill-advised attack on one of the zeppelins — a story really about misunderstanding, with no bad guys. Also, Becca de la Rosa’s “Not the West Wind”, about, variously, and among other things: a woman in love with a guitar, the west wind, Ireland, and a foundling girl; and Sean Markey’s “Waiting for the Green Woman”, about a man with a tree for a daughter. Other strong work came from Eric Del Carlo, Genevieve Valentine, and Stephanie Campisi.”
- Rich Horton, on his blog (read the full review)

“Another grouping of SF/fantasy little magazines could perhaps be described as the Lady Churchill’s Rosebud Wristlet circle. One fine fairly new example is Sybil’s Garage. Its sixth outing has plenty of fine stories and poems.”
- Locus, Rich Horton (print only)

“Issue six of Sybil’s Garage from Senses Five Press is fun. ..Reading it is like wandering into a house party where you not only mingle with the guests, you peruse the décor and absorb the mix of tunes emanating from the stereo.”
-The Fix, Dan Alamia (read the full review)

“This is the most interstitial volume of the innovative magazine to date.  From the composite front photograph of a scarecrow emerging from a New York subway station (the G line) into a lonely pumpkin field to Susannah Mandel’s surreal page entitled “Metamorphic Megafauna” …this issue ranges widely through genres and your brain.”
- The Interstitial Arts Foundation, Delia Sherman (read the full review)

“The stories were varied and all worth reading. It’s moved its home from Hoboken to Brooklyn but is still a unique mix of unusual stories, poems and articles, all with suggestions on the appropriate music to play while reading…Sybil’s Garage is still a strange little magazine with old-fashioned illustrations accompanying the text. For those that want their fiction to be truly different, this is for you.”
- SFRevu, Sam Tomaino (read the full review)

“Ever since first discovering the magazine Sybil’s Garage in 2005 after being shown it by Kris Dikeman, I’ve loved the small press magazine produced by Matt Kressel of Senses Five Press. The magazine’s steady climb in quality moves to upward from an already pretty high starting point, and this issue shows the trend continuing.”
– Fantasy Magazine, Cat Rambo (read the full review)

“One of writer Damien G. Walter’s challenges is that “We need more beautiful magazines” and Sybil’s Garage No. 6 easily fits that bill. While not as experimental as McSweeney’s, editor Matthew Kressel does a lot of outstanding things with this issue. Aside from the well-designed layout, each story/poem is preceded by a recommended song and this presentation is consistent. There’s also what seems like random scribblings by an enigmatic writer at the end of various texts but it all culminates into one meta-narrative that this reviewer found tear-jerking, even if it’s just a simple plot and conceit.”
- Bibliophile Stalker, Charles Tan (read the full review)

Sybil’s Garage No. 7
Just released Where can you find a television that sees five minutes into the future? Where can you find dragons trapped in a jar and an illness which turns people into glass? Where might you find families who sell their brainpower to corporations for penny wages, or dead relatives that sit down for family meals? Why, in the pages of Sybil’s Garage No. 7, of course. In this seventh issue of the highly acclaimed series, you will find twenty-seven original works of fiction and poetry from today’s top talent, with suggested musical accompaniment, our trademark design aesthetic, and much more. But be sure to leave a trail of breadcrumbs on your way into Sybil’s Garage, or you may not find your way out.
	$12	More info »

Rajan Khanna’s short fiction has appeared or is forthcoming in Shimmer, GUD and The Way of the Wizard and has received an Honorable Mention in the Year’s Best Fantasy & Horror. He is a graduate of the 2008 Clarion West Writers Workshop and a member of the writing group, Altered Fluid. He sometimes narrates for Podcastle and Starship Sofa and writes for Tor.com. His website is www.rajankhanna.com.

“This was my second year helping out with Sybil’s Garage and my respect for the magazine has only grown in that time. I think it was really hammered home recently at Readercon when Matt had an informal reading of stories from attending contributors and I found all of the stories so powerful and I was proud of my humble contributions to the overall finished product.

To be honest, though, my contributions were small and primarily composed of reading slush, and doing some copyediting. As far as the reading slush part goes, it can be trying of course. I think sometimes the hardest to take are the stories that have such promise, but don’t manage to deliver on that. Or those that start out with an interesting premise and then go in the direction of well-worn cliche. Something I definitely appreciate about the slush process for Sybil’s, however, is that Matt encourages all the slush readers to give some story feedback in the rejections that we send out. I can’t say that we’re able to do that in all cases, but it can be incredibly gratifying when you receive an email back from someone saying that they appreciated the comments you gave. A friend and fellow writer of mine who submitted to Sybil’s agreed that it was one of the best rejections he’s ever received.

Then there are the acceptances. It’s also a great feeling to have something land in your queue and to realize that it’s special. That there’s something impressive there. Slush that we like is always passed on to Matt for his final word, but when one is accepted, it’s exciting. In the end we’re just gatekeepers, but to be able to let something brilliant through is what makes the job worthwhile.

I should end by saying that Sybil’s Garage is truly the baby of Matthew Kressel. While we help, Matt does all of the heavy lifting. We mostly just run around trying to move things out of his way to clear his path. His is the final word on the stories, he handles the design of the cover and of the interior art and interstitial pieces. He sets up the printing and shipping, manages subscriptions, handles the bulk of the promotion and manually formats the electronic editions. I think it would be fair to say that each incarnation of Sybil’s chews up a big part of Matt’s life. But his passion for creating it, his vision, is what makes it so excellent and unique in the industry. I could say that I feel the industry is better for it being around, but the truth is that I know it is. That I can help in any small way is my pleasure.”

Senses Five Press is pleased to announce the release of Sybil’s Garage No. 7.

Where can you find a television that sees five minutes into the future? Where can you find dragons trapped in a jar and an illness which turns people into glass? Where might you find families who sell their brainpower to corporations for penny wages, or dead relatives that sit down for family meals?

Why, in the pages of Sybil’s Garage No. 7, of course.

In this seventh issue of the highly acclaimed series, you will find twenty-seven original works of fiction and poetry from today’s top talent, with suggested musical accompaniment, our trademark design aesthetic, and much more. But be sure to leave a trail of breadcrumbs on your way into Sybil’s Garage, or you may not find your way out.

6″x9″, 206pp
ISBN: 978-0-9796246-1-2

Available from Senses Five Press, Amazon.com, BarnesAnd Noble.com and other fine bookstores.

For more information click here.

Table of Contents:

Fiction

“By Some Illusion” — Kathryn E. Baker
“Suicide Club” — Amy Sisson
“The Noise” — Richard Larson
“A History of Worms” — Amelia Shackelford
“Thinking Woman’s Crop of Fools” — Tom Crosshill
“The Unbeing of Once-Leela” — Swapna Kishore
“How the Future Got Better” — Eric Schaller
“The Telescope” — Megan Kurashige
“Under the Leaves” — A.C. Wise
“The Ferryman’s Toll” — Sam Ferree
“The Tale of the Six Monkeys’ Tails” — Hal Duncan
“The Poincaré Sutra” — Anil Menon
“Kid Despair in Love” — M.K. Hobson
“My Father’s Eyes” — E.C. Myers
“An Orange Tree Framed Your Body” — Alex Dally MacFarlane
“The Watcher Thorn” — Cheryl Barkauskas
“Other Things” — Terence Kuch
“The Dead Boy’s Last Poem” — Kelly Barnhill

Poetry

“Seven League”s — Lyn C. A. Gardner
“One October Night in Baltimore” — Jaqueline West
“Indian Delight” — Alexandra Seidel
“Candle for the Tetragrammaton” — Sonya Taaffe
“Emigrant” — Linsdey Duncan
“Schehirrazade” — Amal El-Mohtar
“The Hyacinth Girl” — Adrienne J. Odasso
“Pathways Marked in Silver” — Marcie Lynn Tentchoff
“Rain ” — Juliet Gillies

Non-Fiction

“Glourious Homage: Quentin Tarantino’s Love Letter to Cinema” — Avi Kotzer

Our first editor is Mercurio D. Rivera.  When Mercurio joined our writers group a few years back, I never thought this humble quiet fellow would soon become one of my best friends.  His advice is among the first I seek when faced with a tough decision.  In a few short years, Mercurio has gone on to become quite an accomplished hard SF writer.  He does have a bit of an impish side, though, which is why he’s earned his moniker of Evil David.  But a regular bathing in holy water usually keeps his evil tendencies at bay.  And, by coincidence, it’s also his birthday today, so I hope y’all will join me in wishing him a happy one.

Mercurio D. Rivera is an attorney and science fiction writer whose stories have appeared regularly in Interzone (#204, #214, #219, #226, #227).  His Interzone stories “Longing for Langalana” and “In the Harsh Glow of its Incandescent Beauty” are part of an upcoming series of interconnected tales about his strange aliens, the Wergens, and their unrequited love for humanity.  His work can also be found or is forthcoming in Unplugged: The Web’s Best SF and Fantasy, Download 2008, edited by Rich Horton (Wyrm Publishing), Nature, Black Static, Electric Velocipede, Abyss & Apex, Escape Pod, Starship Sofa and elsewhere.  His fiction has been acknowledged on the Locus Recommended List for 2008 (finishing at #25 in the short story category), the StorySouth Million Writers List for 2008, and several of his stories have received honorable mention in Gardner Dozois’s Year’s Best Science Fiction anthology.  His website is www.mercuriorivera.com.

“Sybil’s Garage started off as a thin stapled ‘zine, grew into a crisp digest-sized magazine format, and this year took the next step in its evolution, morphing into a gorgeous trade paperback anthology.  (Next year?  I have the scoop: glorious, three-dimensional, interactive holograms!)  Along the way, it’s developed a faithful following and a reputation for offbeat, high-quality fiction.  It’s been a wild ride, and I can’t tell you how proud I am to have been a passenger aboard Matt Kressel’s runaway car, gesticulating crazily and shouting directions from the backseat.  Or something like that.

All of us on Sybil’s editorial staff are members of the Altered Fluid (www.alteredfluid.com) writing group.  Many years ago, Matt managed to blackmail us with incriminating photos rope us all in with his inimitable charm and contagious enthusiasm for creating and developing his own print magazine.  Although I was initially concerned about the time commitment involved, my fears were assuaged by the fact that six to eight Fluidians volunteer on any particular issue, and that the slush pile is divvied up among us.  For example, Sybil’s Garage No. 7 received well over 500 submissions.  Divided by six editors, this resulted in a much more manageable story-load, especially when compared with the tsunami of slush that regularly hits other magazines that have far fewer editors.  This allowed me to be a bit more patient when reading manuscripts and to occasionally provide feedback and personal encouragement.  I can’t help it; even after all of these issues I still empathize strongly with every writer whose story I reject, especially those who send us the near-misses.  Over the years, I’ve found reading slush to be an invaluable learning tool that has helped me see the common mistakes that can torpedo a story as well as the special qualities that make a submission stand out in the crowd.  I can’t help but be struck by the fact that as Sybil’s has continued to improve and evolve with each successive issue, so has Altered Fluid and our successes as writers.  At least in my case, I attribute part of that to the lessons learned from reading slush.

Beyond slush reading, typically I’ll assist on a particular issue by drafting the author’s contracts, copy-editing four or five stories, proofing the final version of the issue, opining on stories forwarded by the other editors, and adding my two cents on the final selections.  If I feel strongly in favor or against a particular story, I make sure my voice is heard.  One of the most satisfying aspects of working on Sybil’s is that Matt encourages input from all the editors on every aspect of each issue, from the final story selections to his cover design to his layout of the magazine.  He carefully takes all these different opinions into consideration then pulls out the incriminating photographs, waves them in our faces and pulls rank in making his final decisions.  Make no mistake, Sybil’s Garage is the product of Matt’s vision–he invests the capital, makes the final calls, designs the cover and the layout so that it has that unique Sybil’s look to it, and promotes the hell out of each issue–but it is also a labor of love for all the backseat drivers like me who are passionate about producing something special and making Sybil’s the very best it can be.

I finished the friggin’ editor’s spotlight. Can I get those incriminating photos back now?  Geez.”

	Catherynne M. Valente, author of over a dozen works of fiction and poetry, including Palimpsest, the Orphan’s Tales series, and The Girl Who Circumnavigated Fairyland in a Ship of Own Making. She is the winner of the Tiptree Award, the Mythopoeic Award, the Andre Norton Award, the Rhysling Award, and the Million Writers Award. She is a finalist for the Hugo Award this year. Over the next year she has three novels and a short story collection coming out, as well as short stories in Welcome to Bordertown, Haunted Legends, and the YA vampire anthology Teeth. She’ll be reading from her upcoming novel Deathless.
&
	M.K. Hobson, the author of over thirty short stories, which have been published or are forthcoming in magazines and anthologies such as SCI FICTION, Realms of Fantasy, The Magazine of Fantasy and Science Fiction, Strange Horizons, Postscripts, Interzone, Digital Domains, Haunted Legends, and Polyphony. Her debut novel, The Native Star will be out from Bantam Spectra in September, to be followed by a sequel in the summer 2011. She is one of the co-hosts of Podcastle and is a regular reader for Fantasy Magazine‘s podcast series.

Wednesday July 21st, 7pm at

KGB Bar, 85 East 4th Street (just off 2nd Ave, upstairs.)

http://www.kgbfantasticfiction.org/

Subscribe to our mailing list:

http://groups.yahoo.com/group/kgbfantasticfiction/

Readings are always free.

Please forward to friends at your own discretion.

People of the Book (Am ha-Sefer): A Decade of Jewish Science Fiction & Fantasy

Edited by Rachel Swirsky and Sean Wallace

“From Sholom Aleichem to Avram Davidson, Isaac Bashevis Singer to Tony Kushner,
the Jewish literary tradition has always been one rich in the supernatural and the fantastic.
In these pages, gathered from the best short fiction of the last ten years,
twenty authors prove that their heritage is alive and well —
in the spaces between stars that an alphabet can bridge,
folklore come to life and histories become stories,
and all the places where old worlds and new collide and change.

These are the people of the book. Open, read; the universe is made of words.”

Table of Contents
Introduction, by Ann VanderMeer
“Burning Beard” by Rachel Pollack
“How the Little Rabbi Grew” by Eliot Fintushel
“Geddarien” by Rose Lemberg
“The Wings of Meister Wilhelm” by Theodora Goss
“The Dybbuk in Love” by Sonya Taaffe
“Fidelity: a Primer” by Michael Blumlein
“Niels Bohr and the Sleeping Dane” by Jonathon Sullivan
“The Tsar’s Dragons” by Jane Yolen
“Going East” by Elana Gomel
“Dark Coffee, Bright Light, and the Paradox of Omnipotence” by Ben Burgis
“Biographical Notes to “A Discourse on the Nature of Causality, with Air-planes” by Benjamin Rosenbaum
“Alienation and Love in the Hebrew Alphabet” by Lavie Tidhar
“The Problem of Susan” by Neil Gaiman
“Uncle Chaim and Aunt Rifke” by Peter S. Beagle
“Eliyahu ha-Navi” by Max Sparber
“Reuben” by Tamar Yellin
“The Muldoon” by Glen Hirshberg
“Semaphore” by Alex Irvine
“Golems I Have Known” by Michael Chabon
“The History Within Us” by Matthew Kressel

Forthcoming: December 2010.

Readercon 21 started off somewhat humbly.  Several of my friends who have accompanied me before couldn’t make it, and this time around I knew a larger portion of the attendees than ever before.  My first thought upon arriving was that the convention didn’t feel real.  I tried to explain this to a few folks, and they kept reminding me that it was still Friday and it takes some time for things to warm up.  And warm up they did.

The first panel I attended, one of the annual short-fiction summaries, name-checked two friends of mine as talented up-and-comers: Genevieve Valentine and Alaya Dawn Johnson.  It was nice to hear their work getting recognized.  Later, Scott H. Andrews hosted a Beneath Ceaseless Skies reading, where I read a section from “The Suffering Gallery,” a short story appearing in BCS this fall.  I also heard Michael J. DeLuca, Margaret Ronald, Tom Croshill (which I later found out was his first reading), and several other talented fantasists.  People seemed to like my excerpt.  In fact, people seemed to like all the stories, which is a credit to Scott’s editorial eye.

Later, I participated on a panel about the bright future of SF magazines, which had as a launching point the question of how to make SF magazines more culturally inclusive.  Liz Gorinsky did a great job keeping us on topic, and we heard well-thought-out comments by panelists Neil Clarke, K. Tempest Bradford, and pinch-hitter Michal J. DeLuca, who was there for Gavin Grant.  Compared to last year’s somewhat sullen first panel on the future of SF magazines, this one felt much more positive, and we all agreed the short fiction market is in a renaissance.  These things go in cycles, and we are presently on an upswing.

Kate Baker (known for her podcasts at Clarkesworld Magazine, writing under Kathryn E. Baker) was in the audience, and she was shyly waving at me until I suddenly realized who she was.  She did a wonderful podcast of my story “The History Within Us” and also has her first published story in Sybil’s Garage No. 7.  I ran over and hugged her, which I realized immediately following might have been a little too forward considering we had only met for the first time.  I hope she forgives my exuberance.

At the Meet the Prose party I chatted with a lot of lovely people, including Mary Rodgers, whom I met in New York a few weeks back, and I got to taste a Brooklyn Stout from Scott H. Andrews, who had smuggled in a growler into the hall.

I had a nice conversation with Jacob Weisman and Bernie Goodman from Tachyon Publications about Jewish-themed fiction (I’m writing a novel partly based on Jewish myths).  And they also gave me excellent publishing advice.  By the time everyone moved toward the bar, it was 1 a.m., and they were closing.  Exhausted, I ducked off to my bedroom.

Saturday, I was free of panels, and so attended things sparsely.  But I did attend Alaya Dawn Johnson’s reading from her novel Moonshine.  I also attended Part II of the future of SF magazines and also found the panelists to be forward-thinking and positive.  The general consensus was that the short fiction future is a good one.

I attended the Rhysling Awards (two poems from Sybil’s Garage No. 6 were nominated in the short-form category).  We didn’t win, but I heard several fabulous poems, especially a sung one from Amal El-Mohtar.  I offered to record a classical guitar accompaniment to it, which she seemed excited about.

All of this felt like a prelude to Saturday night.  We had been planning to throw a room party for a while, and the intention was to tell a few people, but not the entire con.  After all, it was a small room, and we didn’t reserve a suite or a room on the party floor.  Well, the word got out.  We knew this when a gentleman showed up first to the party whom no one knew.  “Where did you hear of this party?” we asked him.  He named another person no one in the room had told.  That’s when we knew things might get…crowded.

The lovely Kristin Janz bartended, making specialty cocktails such as Aviations and Margaritas.  The room quickly got hot and loud and sometimes raucous, but I punctuated the noise with readings from the new issue of Sybil’s Garage No. 7.  Kathryn E. Baker, Tom Croshill, E.C. Myers, and Amal El-Mohtar all got up on the bed and read at various points in the night.  And all were grand.  More than one person told me these readings were the best they’d heard at the con.  At one point even Peter Straub showed up to our party, but when I somewhat awkwardly re-introduced myself to him and praised his latest novel, he told me he was going to “mingle on” and left the party.  Oh, well.

I popped in to a party Mike Allen threw upstairs, and there was treated to a fabulous performance of theatrical poetry (I unfortunately don’t recall the name of the woman he read with, but she [edit, thanks Amal!] Claire Cooney was great too.)  It is so wonderful to be surrounded by creative people.  At times like these, there are no other places I’d rather be.

At around 4:30 a.m. the last stragglers left the party.  But I could not sleep, and so wandered down into the lobby to hang with Liz Gorinsky and Benjamin Rosenbaum.  At one point the hotel called security on her because Ben had stacked pillow cushions upon her.  I kid you not.

The sun was coming up.  I had another day and another panel to attend.  And so at some point I wandered off to bed.  I think it was 6 a.m.

Three hours later, miraculously, I was up.  The shower, which the night before was full of beer, had one remaining.  Not bad, I thought.  I made it in time to see the metaphysical hard SF panel, which was highly entertaining if not a bit over my head a times.  Mr. Ben Rosenbaum, you are super smart, but can you slow down sometimes to let us non PhDs grasp an inkling of what you are saying?  I’m tongue in cheek of course.  I thought Ben and the other panelists were fabulous.  I can sometimes forget how many smart people come to ReaderCon.  It’s staggering.

I hosted a Sybil’s Garage kaffeeklatsch, of which the lovely JoSelle Vanderhooft attended, and we spoke in depth about where to take Sybil’s Garage and Senses Five Press.  Mercurio D. Rivera and Devin Poore, editors of Sybil’s Garage, sat in on the conversation.

There was also more mingling.  And carnivorous plants.  Oh, and I sold nineteen copies of Sybil’s Garage No. 7.  A good omen, or I should say is a sibylline signal of future sales.

Some other highlights, not necessarily in any order:

• Talking with Sean Wallace of Prime Books about anthologies
• Finding out I share a TOC with Neil Gaiman, Michael Chabon and Peter Beagle (The People of the Book, Prime Books, Dec 2010)
• Finding out Gordon Van Gelder and I are distant cousins
• Seeing Kelly Link for literally ten seconds
• Swimming in the pool in the rain
• Going out for Korean BBQ and finding out all of the NY people were already dining there
• Hanging out with Brett Savory and Sandra Kasturi of Chi Zine Press
• Talking e-books with Neil Clarke of Clarkesworld Magazine
• Seeing Blake Charlton transformed into The Last Cakebender (see photos)
• Jeremy Lassen suggesting dirigibles are the new vampires

The surreality of the opening hours evaporated away by the end of the weekend.  The conference had most definitely become real.  The wave function collapsed.  Now I’m left with the typical post-con blues, missing the conversations and the stimulation.  But I’m also rejuvenated by the weekend, brimming with creative energy, and I’m looking forward to starting several new projects soon.

Thanks to all who attended for a great weekend.  And thanks to the organizers for putting this convention together.  You can see some of my photos here.

Yesterday I spent the afternoon at Jones Beach with my cousin.  We arrived at 3pm, and the temperature was still well in the 90s.  We stayed until the sun set.  It was quite beautiful. I took a photo.  Then I stopped by my folks’ house for a bit, and they promptly fed us.  Then my dad showed us his giant tomato garden (organic varieties, them all.)

So after a day in the sun and a few nights of little sleep I was somewhat cranky today.  And then Mercurio D. Rivera delighted me with news that my story “Saving Diego” has received an honorable mention in Gardner Dozois’ The Year’s Best Science Fiction: Twenty-Seventh Annual Collection. My story originally appeared in Interzone #221.

Mercurio was also name-checked in the opening comments, specifically about his whimsical SF story “Dear Annabehls.”  Alaya Dawn Johnson also received an honorable mention for her story “The Yeast of Eire.”  Congrats to fellow Altered Fluidians for the mentions.

* I’ve had nightmares about the production of Sybil’s Garage.  In the latest, I received the proofs, and they were horribly wrong.  The cover was pitch dark and the images were duplicated all across the pages kaleidoscopically.  While I was looking at the mistakes, a bottle of Listerine on the stove caught fire, and I inhaled toxic fumes, which made me cough up blood.  “Never mind!” my dream self said, “There’s no time for doctors.  I’ll just open the windows, get some air, and then get back to working on Sybil’s.  I only have three days to go!”  Or some such.  Can you tell I’m stressed? 

Beneath Ceaseless Skies Reading – Friday, 6pm
Reading with several BCS authors.  I’ll be reading an excerpt from “The Suffering Gallery.”

The New and Improved Future of Magazines – Friday, 8:30pm, Salon G
Bradford, Clarke, Gorinsky, Ga. Grant, Kressel

Sybil’s Garage Kaffeeklatsch – Sunday, 1pm, Vineyard
Kressel & editors from Sybil’s Garage

“Edited by Rachel Swirsky and Sean Wallace
Introduction by Ann VanderMeer

From Sholom Aleichem to Avram Davidson, Isaac Bashevis Singer to Tony Kushner, the Jewish literary tradition has always been one rich in the supernatural and the fantastic.

In these pages, gathered from the best short fiction of the last ten years, thirty authors prove that their heritage is alive and well — in the spaces between stars that an alphabet can bridge, folklore come to life and histories become stories, and all the places where old worlds and new collide and change.

These are the people of the book. Open, read; the universe is made of words.”

I’m very excited to be included in this anthology.  This story was/is a very personal one for me, one that I think has deep-rooted Jewish themes of tradition and the fear of breaking them that pervades, at least in my small experience, a Jewish life.  I can’t wait to see the table of contents.

I’ve decided for this issue to go with a 6×9 inch trim size, which means it will look more like a trade paperback than a ‘zine.  And this change makes me wonder if the issue will be considered an anthology or a magazine?  A magazine comes out regularly, usually has advertisements, and is often printed on thin/cheap paper.  An anthology comes out less often (but still can be serial), has few or no advertisements, and is printed on quality, acid-free paper. (There are other differences to be sure, but these are the major ones.)

So what is Sybil’s?  We  come out semi-regularly, have advertisements, and have always printed on quality 60-lb paper.  However, this time I’ll also be using an ISBN bar code instead of an ISSN (magazine/serial) one.  And of course the trim-size change.  This will facilitate getting Sybil’s onto Amazon.com and into the Ingram book distribution database.

So what is Sybil’s Garage?  A magazine, or an anthology?  Does it matter?  For awards, I think it does, but should I even be thinking of that?

“So the other day I listened to Kate Baker reading Matthew Kressel’s ‘The History Within Us’, which was published in March 2010. Obviously the sensible thing for you to do is to leave Best SF (what, a website encouraging you to leave it??) and either listen to the podcast here or read the story here. You’ll be reading it one of the Year’s Best Anthologies next year.”

The reviewer especially praises Kate’s reading of the story, which I agree is quite fabulous.  Kate Baker (writing at Kathryn E. Baker) has a story in the forthcoming Sybil’s Garage No. 7, her first publication, and I’m sure not her last.

Needless to say I’m very flattered by the review.

	Jack Ketchum, the author of four story collections (one with Edward Lee), many novellas and thirteen novels, four of which have been filmed to date — The Lost, Red, The Girl Next Door and Offspring. He is the four-time winner of the Bram Stoker Award for his fiction and Stephen King has called him “the scariest guy in America.” His latest mass-market release is the novel Joyride, backed with the novella Weed Species.
&
	Scott Edelman, whose short stories have been published in a wide range of anthologies and magazines including The Solaris Book of New Science Fiction, Crossroads: Tales of the Southern Literary Fantastic, Forbidden Planets, and Postscripts. Some of them have been collected in These Words Are Haunted and in What Will Come After, the latter a complete collection of his zombie fiction, just published by PS Publishing. He’s been a Stoker Award finalist five times. Additionally, Edelman currently works for the Syfy Channel as the Editor of SCI FI Wire and was founding editor of Science Fiction Age, which he edited during its entire eight-year run. He has been nominated for the Best Editor Hugo four times.

Wednesday June 16th, 7pm at

KGB Bar, 85 East 4th Street (just off 2nd Ave, upstairs.)

http://www.kgbfantasticfiction.org/

Subscribe to our mailing list:

http://groups.yahoo.com/group/kgbfantasticfiction/

Readings are always free.

Please forward to friends at your own discretion.

Sybil’s Garage has a loyal fan-base of several hundred regular readers from all over the world, and each issue is hand-delivered or mailed to many important industry professionals.  Your ad will be seen by a large fraction of the speculative-fiction community.  Issue number seven in particular will be available to more markets than ever before, including Amazon.com, listing in the Ingram book distribution database which sells to retail book chains and libraries, as well as an e-book for the Amazon Kindle, iPad, and any e-reader which supports the ePub format.  You will also have the pleasure of supporting a quality small-press publication from Senses Five Press, publisher of the World Fantasy Award-winning anthology Paper Cities.

I will need the ads within the next two weeks if you’d like them to appear in the issue.

I spoke with a luthier and he suggested it might cost as much as $130 to fix, which is pretty much in the range of a new, low-end classical guitar.  I decided that I’d try to fix the bridge myself.  Last weekend while out at my folks I attempted to glue the broken piece back on using high-bond wood glue.  But as soon as I tried to string it up again, it snapped.

The entire bridge needed to be replaced.  So I spent several hours using various implements like razor blades and letter openers to pry off the bridge without cracking the guitar’s soundboard.  Success came late last night.  And while high on 85% cocoa chocolate I decided to try and make my own bridge out of a piece of pine from an unused bookshelf.  Well, ninety minutes and quarter-of-an-inch of cutting later I decided I would need more tools than I had to make the bridge properly.  And besides, the pine I was using was too soft a wood and I feared it might crack under tension.  So I broke down this morning and bought a classical rosewood bridge from Stewart-MacDonald for about $15.

I’m hoping that the new bridge will turn my lame guitar (lame in the traditional sense) into a working instrument again.  Eventually, I hope to do a more detailed blog post about it, as I’ve been taking pictures along the way.  For example, here’s me with a hacksaw:

New York Review of Science Fiction Readings presents

An Evening with Altered Fluid’s N. K. Jemisin, E.C. Myers & Devin Poore

Tuesday, June 1st — Doors open 6:30 PM
SoHo Gallery for Digital Art
138 Sullivan Street (directions and links below)
$5 suggested donation

Our original hope and intent was to hold some kind of Gala for the finale of our 20th Anniversary Season, but those plans will have to be postponed. Instead, we’re going to plan a Gala for early next season. But I’m sure you won’t be let down by the fabulous line-up we have in store for you this Tuesday, June 1st.

In the past we have featured members of such writers groups as Tabula Rasa. This time, coming in to cap our season are three members of Altered Fluid.

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Altered Fluid is a speculative fiction writers’ group based in Manhattan. Its members have been meeting since 2001 to workshop their short stories and novels of science fiction, horror, fantasy and slipstream. Its ranks include some of the rising stars in the genre and Fluidians have been nominated for this year’s Nebula Award, Hugo Award and Campbell Award, respectively.

N. K. Jemisin is a Brooklyn writer of short stories and novels. Her first novel, THE HUNDRED THOUSAND KINGDOMS, is out now from Orbit Books, and she is hard at work on the third novel of this trilogy. Her short stories have been published in Postscripts, Clarkesworld, Strange Horizons, Baen’s Universe, Escape Pod and Podcastle. One of those short stories, “Non-Zero Probabilities,” has been nominated for this year’s Hugo and Nebula awards, as well as the StorySouth Million Writers Top Ten. Her Web site is at http://nkjemisin.com

E.C. Myers: Since attending Clarion West and joining Altered Fluid in 2005, E.C. Myers has sold short stories to various magazines and anthologies, including Andromeda Spaceways Inflight Magazine, Blood Sisters: Lesbian Vampire Tales, Loving the Undead, and Shimmer Magazine. He’s currently finishing his fourth young adult novel, blogs about Star Trek for Tor.com, edits the Clarion West alumni newsletter, co-moderates the GothamLit listserv for speculative fiction events in New York, and wastes time on the Internet when he should be writing or sleeping. He also has a day job as a digital media manager, but the less said about that the better. His Web site is at http://ecmyers.com.

Devin Poore left the wilds of Indiana at the age of 18 for Uncle Sam’s Yacht Club, otherwise known as the U.S. Navy. After six years of working on and utilizing shipboard anti-aircraft missile systems, he left the Navy and, following several twists and turns, settled in the New York City area. Devin’s non-fiction and fiction has appeared in Sybil’s Garage, where he is now an associate editor. When he isn’t writing short stories and novels that deal with everything from vampires to magic to the Civil War, he makes his living as a computer consultant, and builds highly detailed models of ships most people have never heard of. He currently resides in Hoboken, NJ, with his wonderfully talented fiancée, dancer and choreographer Kristen Mangione.

Other members of Altered Fluid include:
* Saladin Ahmed
* Paul M. Berger
* K. Tempest Bradford
* Kristine Dikeman
* Alaya Dawn Johnson
* Rajan Khanna
* Matthew Kressel
* Mercurio D. Rivera
* Greer Woodward (satellite member)

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The New York Review of Science Fiction Reading Series is celebrating its 20th season of providing performances from some of the best writers in science fiction, fantasy, speculative fiction, etc. The series usually takes place the first Tuesday of every month, but maintains flexibility in time and place, so be sure to stay in touch through the mailing list and the Web.

Admission is by a $5 donation. If circumstances make this a hardship, let us know and we will accommodate you.

Jim Freund is Producer and Executive Curator of The New York Review of Science Fiction Readings. He has been involved in producing radio programs of and about literary sf/f since 1967. His long-running live radio program, “Hour of the Wolf,” broadcasts and streams every Saturday morning from 5:00 to 7:00. Past shows are available “‘on-demand” for about 6 months after broadcast. (Check http://hourwolf.com for details.)

The SoHo Gallery for Digital Art (http://sohodigart.com) is dedicated to re-establishing SoHo as an international center for the development of new artistic forms, concepts and ideas. A screens-instead-of-canvases approach allows a wide selection of art from around the world which would otherwise never make it to the City. The SGDA is availible for private gatherings and events of all kinds. For bookings call (800) 420-5590 or visit http://sohogallerynyc.com

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WHEN:
Tuesday, 6/1
Doors open at 6:30 — event begins at 7

WHERE:
The SoHo Gallery for Digital Art
138 Sullivan Street (between Houston & Prince St.)

http://maps.google.com/maps?q=138+Sullivan+St.+New+York+NY+10012

HOW:

By Subway
6, C, E to Spring St.; A, B D or F to West 4th; 1 train to Houston St; or R, W to Prince St.
There are many convenient bus lines that come within a couple of blocks of the gallery. Use the link above for an interactive transit map.

LINKS:

http://hourwolf.com/nyrsf

http://nyrsf.com